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Eric Fichtl
<p>Children playing along Dili's waterfront after the daily rainstorm.</p>

Thanks for visiting. This website features my photography, writing, and a bit about me.

PHOTOS

Here is a random sample of my photos. Visit my galleries for many more.


<p>Space-restricted Hong Kong has been building high-density high-rise housing for decades. More and more districts are taking on this character.<br /></p>
<p>A Stolperstein (stumbling stone) embedded in the pavement outside a flat in Berlin. <br /></p> <p>Begun in the 1990s by German artist Gunter Demnig, the Stolpersteine mark the last place of residence of those persecuted by the Nazi regime and share basic details of that person's life. Over 75,000 Stolpersteine have been placed in numerous countries, and the project continues. This one reads:</p> <p><em>Here lived Gertrud Baruch.<br />Born in 1876.<br />Deported 24 Oct 1941 to Łódź / Litzmannstadt. <br />Murdered 4 May 1942.</em><br /> </p>
<p>In Kliptown, Soweto, a monument conveys the popular demands of the Freedom Charter – drawn together in 1955 as a unified statement of ambitions by numerous anti-Apartheid political movements including the African National Congress (ANC). The Charter is unambiguous in challenging the racialist regime and its organisers were branded traitors by the Apartheid government. <br /></p><p>Less than 40 years later, sections of the Freedom Charter were incorporated into South Africa's new constitution, and the ANC emerged as the ruling party. </p>
<p>A mural in San Salvador depicts the suffering and scale of the 1979-1992 civil war that had concluded in a peace agreement just a few years earlier.</p>
<p>An unexpected expression of support for Palestine.</p>
<p>Traffic crossing the Queensboro Bridge.</p>
<p>Dating from 2001 (but seemingly from the space age), the Tempodrom is an event space and spa in central Berlin. The building's design evokes the tent structures that originally housed the venue when it began in the 1980s.<br /></p>
<p>A confident claim in an alcove along the Spree.<br /></p>
TEXTS

A lot of what I write professionally carries no byline. Here are some of the works I have put my name to.

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On Laura Alcoba's 'The Rabbit House'

A unique exploration of a childhood interrupted by the onset of dictatorship and widespread repression.
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On Proyecto Desaparecidos' 'Muro de la Memoria'

The Muro invokes the unresolved nature of disappearance, reminding us of the special anguish this crime inflicts. It is also an invitation to action.
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On Robert Skidelsky's 'Keynes: The Return of the Master'

Skidelsky offers an accessible introduction to the work of John Maynard Keynes